Watched a repeat of Hannah Gadsby interviewed by Charlie Pickering on ABC TV (Australia) and fell in love with her all over again. Speaking truth to power and making it funny? Genius! Using words like ‘dickbiscuit’ in the process? Icing on the cake. I love her.
Yesterday I finally made it to an art exhibition. It’s the final week of the gallery’s Acquisitive Print Awards exhibition and my favourite type of art. No dickbiscuits in sight. A few of the featured artists are familiar to me. I enjoy the ongoing development of their ideas and techniques.
One of those is Kyoko Imazu, a Melbourne printmaker I first encountered on Etsy, years ago. In the earlier images of water rats, possums and other Australian native wildlife, she worked from specimens held at the Melbourne Museum. Another is Dianne Fogwell, whose book was in the gallery gift shop. Both artists produce work that grabs me by the heart and urges me to pursue my own artistic dreams.
Hannah is right – there are thousands of artists deserving of acclaim.
What Hannah said about the Australian same sex marriage (aka Marriage Equality) ‘debate’ and plebiscite was also spot on. The distress experienced by the outpouring of vintage-era homophobia and transphobia was unnecessary and preventable. The leaders were there to lead, not foster division with no regard for collateral damage. They were derelict, to put it politely.
During that time I withdrew from mainstream news broadcasts and was increasingly discerning about my social media consumption, as slimy bigots infiltrated my newsfeed. I took better care of my queer friends, checking in and showering them with appreciation and affection. We all did this for each other, knowing how much we’d already been through with families, so-called religious organisations, schools and other mainstream institutions. “Haven’t we suffered enough?” became my tagline, then a flamboyant routine that I still trot out for my own amusement.
It’s fun to watch the aggravation of those offended by Hannah Gadsby. They’re a certain type of person. Same with those who get irritated by trans people – a different subset perhaps, but a type, nonetheless. They’re horrified by our very existence, let alone our utterances. Who knew there was more than one way to live a life, to look at the world? As I watched Hannah today, I imagined telling those people to put their hand back on it and go back to sleep.
The Prue/Trude character behind the counter at the gallery gift shop said there was no catalogue for the printmakers exhibition. She told me to look it up on the internet, then wandered off, disinterested in my desire to purchase the book. So I’ve asked the public library to buy it for me (us). Yay libraries!
As Hannah said, the Tasmanian lawmakers didn’t recognise lesbian sex, so didn’t bother to outlaw it. Therefore lesbians such as Hannah experienced an odd mix of invisibility and discrimination, and stigma. Hannah describes the shame she experienced in ways I could never emulate. But so much of Nanette touched me. Any time Hannah appears on my telly I smile in anticipation of gems. She’s a little ripper and a national treasure.
NANO UPDATE: yeah, nah, good. It’s hot today and I’d rather avoid the cat and any vibrating, heat-producing, machine type thingamy than sit here on my exercise ball and type. But it’s also blowing a blooming gale out there, so gardening or even birdwatching are off the table. Blown down the street, in fact. So type it is, with the cat on the chair beside me. Almost 32,000 words into the 50,000 goal. Yep.